{"product_id":"rare-avant-garde-and-experimental-films-of-the-20s-and-30s","title":"Rare Avant-Garde and Experimental Films of the 20s and 30s","description":"\u003cb\u003eBALLET MECANIQUE (1924):\u003c\/b\u003e Considered \"one of the most influential experimental works in the history of cinema\" by the Museum of Modern Art, \u003ci\u003eBallet Mecanique\u003c\/i\u003e is a collaboration between Cubist artist Fernand Leger and director Dudley Murphy. It uses \u003ci\u003emontage\u003c\/i\u003e to illustrate the mechanization of modern society, drawing comparisons between geometric shapes and people of flesh and blood. A feast for the eyes, many of the unusual compositions are the work of surrealist artist Man Ray, who assisted Murphy with the cinematography.\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003cb\u003eUBERFALL (1928):\u003c\/b\u003e A haunting short film by Erno Metzner, \u003ci\u003eUberfall\u003c\/i\u003e (or \u003ci\u003eAccident\u003c\/i\u003e) tells the story of a cursed coin that brings doom to all those who come into possession of it. Bizarre camera angles and funhouse mirror effects add to the overpowering sense of dread. \u003ci\u003eUberfall\u003c\/i\u003e was considered so upsetting that it was banned in Germany for its \"brutalizing and demoralizing effect\" on audiences. Despite this, it fomented the \"New Objectivity\" movement in German cinema, a realist counterpoint to German Expressionism.\u003c\/p\u003e\u003cp\u003e \u003cb\u003eREGEN (RAIN) (1929):\u003c\/b\u003e Co-directed by Mannus Franken and Joris Ivens, \u003ci\u003eRegen\u003c\/i\u003e (or \u003ci\u003eRain\u003c\/i\u003e) is a lyrical portrait of Amsterdam during a rainstorm. An example of the \"City Symphony\" genre that was popular among avant-garde filmmakers during the late silent era, it uses breathtaking cinematography to create evocative, unforgettable images. Ivens would have a long career making documentaries right up until his death in 1989.\u003c\/p\u003e\u003cp\u003e \u003cb\u003eTHE FRESH LOBSTER (1920s):\u003c\/b\u003e An insomniac dines on some old lobster in the middle of the night, only to find the tables turned when the crustacean (now grown to giant size) chases him in his dreams! A blend of live-action, cel animation, and puppetry, \u003ci\u003eThe Fresh Lobster\u003c\/i\u003e is as remarkable as it is mysterious. Despite bearing a copyright date of 1948, it was clearly made during the silent era. Who actually directed it remains a source of speculation (guesses include Windsor McCay, Max Fleischer and Walter Lantz.) Star Billy Bletcher is not anonymous, however -- he is well known for appearing in several \u003ci\u003eOur Gang\u003c\/i\u003e and \u003ci\u003eThree Stooges\u003c\/i\u003e shorts, as well as for providing the voices of Peg-Leg Pete and the Big Bad Wolf in Disney cartoons.\u003c\/p\u003e\u003cp\u003e \u003cb\u003eIT'S A BIRD (1930):\u003c\/b\u003e An unfairly forgotten genius, slapstick comedian Charley Bowers made bizarre films that mixed groundbreaking stop-motion animation with live-action. \u003ci\u003eIt's a Bird\u003c\/i\u003e is his most famous. Bowers plays an explorer who brings back a rare \"metal eating bird\" from Africa -- who proceeds to consume everything in its path, including Charley's car! In recent years, Bowers' films have been rediscovered and reevaluated by film historians.\u003c\/p\u003e\u003cp\u003e \u003cb\u003eCITY OF WAX (1934):\u003c\/b\u003eBrothers Stacy and Horace Woodward were innovators in the use of microscopic camera filming technology. Their trademark camera was a huge piece of equipment set up in their Santa Monica garage, perfect for capturing the miniature world of insects. The Woodwards' first film, \u003ci\u003eCity of Wax\u003c\/i\u003e, is an incredible close-up look at the life of a honeybee. It won Best Short Film (Novelty) at the 7th Annual Academy Awards in 1935.\u003c\/p\u003e\u003cp\u003e \u003cb\u003eAND SO TO WORK (1934):\u003c\/b\u003e Former doctor Richard Massingham made unique amateur films during the early 30s in the UK. \u003ci\u003eAnd So to Work\u003c\/i\u003e chronicles the efforts of an \"average man\" to get to his job in the morning, incorporating clever uses of sound, editing, and even stop-motion. Though his films were initially never intended for anything other than private use, they garnered enough acclaim that the British government hired Massingham to make public service shorts during World War II.\u003c\/p\u003e\u003cp\u003e \u003cb\u003eTHE HEARTS OF AGE (1934):\u003c\/b\u003e In 1934, a 19-year-old Orson Welles shot this silent amateur home movie during a theatre festival at the Todd School for Boys in Woodstock, Illinois. Welles, wearing heavy make-up, seems to be the Angel of Death pursuing an old woman (played by the equally disguised Virginia Nicholson, soon to be Orson's first wife.) Orson later dismissed \u003ci\u003eThe Hearts of Age\u003c\/i\u003e as his juvenile attempt to emulate the surrealist shorts of Cocteau and Bunuel. However, in just seven years, he would make his masterpiece \u003ci\u003eCitizen Kane\u003c\/i\u003e, successfully marrying the avant-garde techniques of those directors with that of the big Hollywood studios.\u003c\/p\u003e","brand":"Alpha Video","offers":[{"title":"DVD","offer_id":45802755260566,"sku":"089218820792","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/9621\/5446\/files\/089218820792.jpg?v=1762202514","url":"https:\/\/moviezyng.com\/products\/rare-avant-garde-and-experimental-films-of-the-20s-and-30s","provider":"Movie Zyng","version":"1.0","type":"link"}