The Emperor Jones
The Emperor Jones
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Interest in turning Eugene O'Neill's play The Emperor Jones into a movie dated back to the silent era, but it wasn't until the advent of sound that actual progress was made. Producers John Krimsky and Gifford Cochran used the money they made distributing the German film Madchen in Uniform (1934) in the United States to begin work on the picture. Chosen to star, of course, was Paul Robeson, the booming baritone who had successfully played the role on stage in the United States and Britain. With distribution being handled by United Artists, it would be the first major motion picture to star an African-American in a leading role. (As an example of how different things were back then, when Samuel Goldwyn briefly considered producing the film, he intended actor Lawrence Tibbett to play the role in blackface!) Robeson's love interest in film, Fredi Washington, is best known for playing the fair-skinned young black woman who tries to "pass for white" in the classic Imitation of Life (1934). Ironically, the producers actually were concerned Washington photographed "too white" in the rushes, and had all her scenes reshot with the actress wearing dark pancake makeup! Shot for a shoestring budget of $10,000 at Astoria Studios in New York, The Emperor Jones is now widely considered one of the best movies ever made, and an important step forward in the racial integration of Hollywood films.
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